Finally, the show.

Jan. 27, Brownsville.

At last sunshine for more than three minutes in a row. Time for the mud to dry a little, making walking normal again, not a trek. I'm dying for somewhere to go to breathe, be outdoors, other than the few hundred meters to the Wal-mart along soggy grass on the side of the road - forget sidewalks, this is Texas, U.S.A.
General rehearsal of the show this afternoon, which gave me an opportunity to finally go out there and see what has been going on for more than a week while I was holed up in the trailer. With Dylan in the backpack carrier I watch as long as he didn't get antsy, which is to say not much.
The cast: there are four Mexican dancers doing the opening and finale as well as little dancing routines in between each act, an Argentinian couple doing a chiffon act, the Venezuelans that arrived in Utah last year to join the show and who are doing the same acts, a roller-skates figure and the so-called globe of death motorcycle act, another troupe of Chinese youngsters, fresh from the exact same source, five boys and three girls not much older than the ones last year, two clowns, young American guys who went to circus school in San Francisco, and Fridman with the upside-down walk.
The Argentinians have a 22-month-old daughter; they leave her alone in their trailer when they're working because they have no other option; I offered to watch her with Dylan in return for babysitting favors, as I wouldn't want to have to ever contemplate leaving Dylan alone myself.
The theme of the show this year is Happy Days, the TV series I used to love watching when I was an early teen and no doubt the source of many of my fantasies about this country, amazingly enough, since it had nothing to do with contemporary U.S. society even back then. The power of television to shape one's dream world always comes as a surprise to me, still.